n. A kitchen implement or other utensil with a cute design.
Koziol's spaghetti forks with a smiley face, ice-cream scoops with eyes and the 'Tim' dish brush with legs are some of more than 300 'cutensils,' as they're known, that flew off shelves of American stores last year.
—Frank Gibney Jr. & Belinda Luscombe, “The Redesigning Of America,” Time, March 20, 2000
1998 (earliest)
"Godjets" is what the architectural historian Reyner Banham called the household gadgets that Americans love so well as to almost worship. All those blenders, mixers, grinders and other appliances serve as gods — mechanical lares and penates of the American home.

Now, the godjets on our Formica prairies have been joined by another class of quasi-mythical devices: spoons and spatulas and salt and pepper shakers that look like satyrs and nymphs, fauns and elves. Personified pourers and peelers that are shaped to look animate are dancing and leaping across the counter tops, verging into cartoon characters. I think of Disney's dancing teapot from "Beauty and the Beast," Mrs. Potts dancing about with her son Chips the Cup.

These cutensils, as I will call them, made their first and high-concept appearance a few years ago in products by Alessi, the Italian firm known for architect-designed teapots and Philippe Starck juicers, bottle tops and napkin rings in bright plastics. Family Follows Fiction was Alessi's name for the extended clan of insouciant, even insolent, plastic characters that ranged from Guido Venturini's grinning sugar sifter with eyes, snout and feet to "monster" napkin rings and bottle tops in bright plastics.

Cutensils have gone mass market, in such products as Urchin, a sort of molar-shaped vase, and Mano, a hand-shaped container designed by Roberto Zanon for Benza.
—Phil Patton, “Utensils Get Cute,” The New York Times, October 29, 1998